Produced by Bristol sound co-founder the musician-producer, this sharp-edged though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own family home. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Poacher denying his container of cider, determined to soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film is in UK and Irish cinemas from 17 November.
